Keio University

Hideki Machida: From Banker to Oboist

Writer Profile

  • Hideki Machida

    Other : OboistFaculty of Economics Graduate

    Hideki Machida

    Other : OboistFaculty of Economics Graduate

2022/07/12

I have lived in Munich for 23 years. I started playing the oboe immediately after entering Keio Futsubu School and spent most of my life on music until graduating from university. However, as graduation approached, I felt the need to become independent as a member of society, so I worked hard on my job search and was able to join Sumitomo Trust and Banking (now Sumitomo Mitsui Trust Bank). I then spent three and a half years living as a serious banker.

However, around 1999, the wave of the IT revolution arrived, and along with the great changes in the world, a storm raged in my heart. The thought, "Isn't living as a musician my true life?" began to swell within me. Of course, I knew all too well that the world is not that easy. At the recommendation of my mentor, I decided to have my playing heard by Yoko Kojima of the NHK Symphony Orchestra, who was a leading figure at the time. She was famous for being very strict, and I went prepared to be scolded, but she gave me the unexpected words: "You should pursue music. Go study abroad!" Following her advice, I auditioned for the Richard Strauss Conservatory in Munich and was accepted into the elite class of Professor François Leleux—the oboist I respected most—which had only three students. Having made up my mind once more, I resigned from the bank and moved to Germany two days later with nothing but my instrument and a PC. My life at music college began with me staying at a friend's house until I could find a place to live. At first, I supported myself with part-time jobs, but I think that was just right for tempering my hungry spirit. Three years later, I moved to the class of the renowned teacher Professor Günther Passin at the University of Music and Performing Arts Munich. Being able to hone my skills under his incredibly strict, "demon-like" lessons was a very happy experience for me as a musician.

Currently, I am the principal oboist for the Taschenphilharmonie and the Jewish Chamber Orchestra in Munich. I also perform in woodwind quintets and as a soloist, with my daily life consisting of a cycle of rehearsals and concerts. After 15 years of such a fulfilling musical life, I thought, "Can I give back to Japan what I have gained in Germany?" and founded an amateur orchestra called "Kammerorchester Melodia," where I perform on the oboe and conduct. Thanks to its great popularity, the 11th concert is scheduled for August 7 this summer at Hakuju Hall in Yoyogi. I will continue to master my craft while never forgetting my gratitude to everyone who supports me.

*Affiliations and titles are as of the time of publication.